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Dale atCambridge, Massachusetts, 2005 Background information Birth name Richard Anthony Mansour Also known as The King of the Surf Guitar Born 1937-05-04 May 4, 1937 age 81Genres,Occupation s Musician, InstrumentsYears active 1959—2018 Labels, Deltone Associated acts Del-Tones Website Richard Anthony Monsour born May 4, 1937better known by his stage name Dick Dale, is an rock guitarist, known as The King of the Surf Guitar. He pioneered and created what many call the surf music style, drawing on and experimenting with. He worked closely with to produce custom madeincluding the first-ever 100-watt. He is of descent from his father and - descent from his mother. He learned to play music, starting with piano when he was nine. I was reading a magazine and it said: Sell so many jars of skin cream and we'll send you this ukelele. He was raised in Quincy until he completed the eleventh grade at in 1954, when his father, a machinist, took a job working for in the Southern California aerospace industry. His parents drove the family across the country to live in. Dale spent his senior year at and graduated from. It was in Southern California that he learned to surf at the age of 17. He soon learned to play the drums and the trumpet. When I was 18 at the Santa Ana River Jetty is where I put my first board in the water that I ever got from Joe Quigg. I was just riding the whitewater in, and I dick und single just in heaven. Due to his Arab heritage, he dick und single had a strong interest inwhich later played a major role in his development of music. He first started playing the piano when he was young from sitting with his aunt who played and listening to it. We used to play at the while relatives belly-danced. Dale is credited as one of the first electric guitarists to employ non-Western in his playing. Dick Dale was an avid surfer in the late 1950s and 1960s. Dick's Music sound comes from Gene Krupa's jungle drum rhythms, Wild Animals roars and sounds as well as the Indgenous people dancing. Dale's staccato picking, however, is his trademark. Being left-handed, he initially had to play a right-handed guitar, but then changed to a left handed model. However, he did so without restringing the guitar, leading him to effectively play the guitar upside-down Hendrix, in contrast, restrung his guitaroften playing by reaching over the fretboard rather than wrapping his fingers up from underneath. Dale is also noted for playing his percussive, heavy bending style, using what most guitarists consider very heavy gauge strings 16p, 18p, 20p. And that's why dick und single call me the Father of Heavy Metal. Because I use 60-gauge strings and I make people's ears bleed. So when we opened up the ballroom at Stan Kenton that was the last act that was there, and they were going to tear it down, and I got permits to open it with my dad. It held 4,000 people of all ages. The stage was humongous and there were giant red curtains. I told the surfers I was surfing with, we had a club called the 5th Street Crew, and I told the guys I was going to be playing at a place called the Rendezvous, 'cause we had no money to promote. And the first group of people that came there were these surfers, about 17 of them. His desire to create a certain sound led him to push the limits of equipment. Till one night Leo and his right hand man Freddy T. They went to loudspeaker company and explained that they wanted a fifteen inch loudspeaker built to their specifications. It made the complete package for Dale to play through and was named the Single Showman Amp. When Dale plugged his guitar into the new Showman Amp and loudspeaker cabinet, he was probably the first performer to jump from the volume scale of a smaller amplifier to levels most amplifiers and loudspeakers could not attain. Dale broke through the electronic barrier limitations of that era. Eventually, his work with Leo Fender produced a distinctively fuzzy sound that had set the base of surf music. During a six-month period that began July 1, 1961, Dale's performances at the in Balboa are credited with the creation of the surf music phenomenon. Dale asked for and gained permission to use the 3,000 person capacity ballroom for surfer dances after overcrowding at a local where he performed made him seek other venues. The Rendezvous ownership and the city of agreed to Dale's request on the condition that he prohibit alcohol sales and implement a. Paul Johnson, guitarist for the contemporary grouprecalled the electric atmosphere of the shows: I remember making the trek to the Rendezvous in the summer of '61 to see what all the fuss was about over Dick Dale. It was a powerful experience; his music was incredibly dynamic, louder and more sophisticated than The Belairs, and the energy between The Del-Tones and all of those surfers stomping on the hardwood floor in their sandals was extremely intense. The dick und single of Dale's guitar was bigger than any I had ever heard, and his blazing technique was something to behold. Dick Dale's 1962a version of a. It is often considered Dale's signature single. His first full-length album was in 1962. I dick und single the tempo, and just started cranking on that mother. The dick und single came rising up off the floor, and they were chanting and stomping. I guess that was the beginning of the surfer's stomp. Dick Dale stated his two passions, Surfing and Guitar, by saying: There was a tremendous amount of power I felt while surfing and that feeling of power was simply transferred into my guitar when I was playing surf music. The style of music I developed, to me at the time, was the feeling I got when I was out there on the waves. It was good rambling feeling I got when I was locked in a tube with the white water caving in over my head. I was trying to project the power of the ocean to the people. I couldn't get the feeling by singing, so the music took an instrumental form. This helped bring Dale, surf music, and surf culture to national prominence. Surf rock's national popularity was somewhat brief, as the began to overtake the Dick und single charts in 1964. Though he continued performing live, Dale was soon set back by. Though he recovered, he retired from music for several years. In 1979, he almost lost a leg after being injured while swimming and a pollution-related infection made the mild injury much worse. As a result, Dale became an and soon began performing again. He recorded a new album in 1986 and was nominated for a Grammy. In 1997, Dale appeared in the campy cult filmperforming a rousing guitar solo on the beach with his son on drums. In 2002, Dale appeared inplaying several original songs for the program. In 2009, Dale was inducted into the in. Dale is also a 2011 inductee into the Surfing Walk of Fame inin the Surf Culture category. Health is a priority for him. In 1972, he stopped eating. He studied for over 30 years. At age 80 as of May 2017 he is still putting on physically energetic live shows. In early 2008, he experienced a recurrence of rectal cancer and finished a surgical,and radiation treatment regime. In June 2009, Dale began a West Coast tour from towith approximately 20 concert dates. He was scheduled to play the Australian festival to raise funds to benefit those affected by the and other natural disasters. Dale continues to perform at venues across the U. Dale used a reverb unit with the signal split between two Fender Dual Showman amps. As of 2010, Dale continued to play with his original reverb unit and Showman amps from the early 1960s, continuing his practice of stringing his left-handed guitar upside down. The unique features of this guitar include a toggle switch that bypasses the three position blade switch to activate neck and middle pickups only. Fender also makes an acoustic signature model, the Fender Kingman Dick Dale guitar, with an all mahogany body so there is no loss in sound. The guitar is a three quarter size guitar but sounds like a in Dale's words. The encyclopedia of popular music. Bureau of International Information Programs, U. Brackett, Nathan; Hoard, Christian, eds. Szatmary, Rockin' in Time, 8th ed. Archived from on 26 August 2011.
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The tone of Dale's guitar was bigger than any I had ever heard, and his blazing technique was something to behold. They went to loudspeaker company and explained that they wanted a fifteen inch loudspeaker built to their specifications. I am constantly working to love myself and my imperfections and if you are feeling bad about your dick size, shape, etc, I can tell by the photo you send. Dick Dale stated his two passions, Surfing and Guitar, by saying: There was a tremendous amount of power I felt while surfing and that feeling of power was simply transferred into my guitar when I was playing surf music. Dale is also a 2011 inductee into the Surfing Walk of Fame in , in the Surf Culture category. You should be able to see the lower abs — or at least the whole pubic area, if the dick owner is self conscious — and some thigh. Dick Dale was an avid surfer in the late 1950s and 1960s.